Cannonball Read 18

Sticking It to Cancer One Book at a Time

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About drmllz

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I'm a literature and media studies lecturer and researcher at a university on the south coast of England (my reviews are absolutely not meant to be taken in my professional capacity nor reflect the views of my institution). I've participated in some early CBRs and then came back for CBR 14 onwards. Much like every year, I'd like to do more reading for fun, especially of contemporary fiction, and less crashing in front of Netflix. In 2021 I had a cancer diagnosis and surgery--it really helped following along with CBR reads and Facebook chat and knowing there were people out there enjoying reading books and supporting cancer research and patients even amid all the pandemic chaos. (Learn more about this Cannonballer: drmllz's Quick Questions interview.)

drmllz's Reviews:

“Women seem wicked, when you’re unwanted”

Beware the Woman (2023) by Megan Abbott

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I haven’t read very much at all this year; distressing work news  in an absolute shitshow of a job market in my field has affected my concentration somewhat. So have I bought a lot of books? Yes. Do I read them? I try? Between finally watching Succession (Waystar Royco is starting to seem like a utopian haven right now) and familiarising myself with the entire catalogue of Kendrick Lamar (upper management? THEY NOT LIKE US). But I did read Megan Abbott’s Beware the Woman (2023), […]

Rage against the dying of the light

Men Have Called Her Crazy (2024) by Anna Marie Tendler

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Bingo square rage. I think this completes my bingo row, along with fanfic, fiasco, earth day, golden Content note for the book: suicidal ideation, eating disorders, self harm, mental health “Now I’m furious, so angry my whole body feels hot, and I can tell I’m about to cry.” (p. 211) I’m (still) a fan of Tendler’s ex-husband–and I love that this isn’t about him. Well, it’s about him in the sense that he’s the ‘unfaithful husband’ of the narrative, presumably, the shadow that lurks behind […]

“Comedy is laughter in the face of death”

Wyrd Sisters (1988) by Terry Pratchett

Witches Abroad (1991) by Terry Pratchett

Lords and Ladies (1992) by Terry Pratchett

Carpe Jugulum (1998) by Terry Pratchett

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These are re-reads, these are beloved, these are–I suggest–suitable for the fanfic square because they are riotous and revelrous games with Shakespeare plays and fairy stories and Dracula and witch traditions, even while they question the logics behind them. For example, as Pratchett points out, witches would probably not be dancing around nude during their eldritch rites because it would get quite chilly. Wyrd Sisters (1988) Autocorrect keeps trying to make wyrd into ‘word’, which is fitting, because this is a book partly about the […]

“I feel like this isn’t about me”

Yellowface (2023) by R. F. Kuang

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I don’t really know what I can say about this book, which I think means it’s worked? I can say that it’s blistering, and brilliant; I can say that it fits the ‘Fiasco‘ square because it’s about someone who “reached for the stars and utterly failed…a disaster created by human actions” and in this case the disaster is a person who finds herself in a nightmare of her own making, but the disaster is also the publishing industry and the surrounding discourse, and also the […]

“Dreams, they’re for those who sleep”

The Virgin Suicides (1993) by Jeffrey Eugenides

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Content note: The novel contains graphic death scenes and deals with suicide extensively. This review also discusses suicide  and death quite briefly. Bingo square: Earth day: the novel deals with pollution and decay and environmental ruin I was by way of being a movie buff for a while in the early 2000s (which is how I found Pajiba), and I watched Sofia Coppola’s 1999 adaptation of The Virgin Suicides then, and read the book afterwards. I think it was that way around–I remember being surprised […]

Follow the nursery rhyme

Keisari Seisoo Palatsissaan (The Emperor Stands in His Palace) (1971) by Eeva Tenhunen

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Bingo square ‘Golden’: A famous author’s literary legacy looms large–and lucrative.  It is criminal that the work of Eeva Tenhunen (1937-2017) is out of print and untranslated. Described in her day (she published her novels between 1964 and 1987) as ‘Finland’s Agatha Christie’, you can see the influence of the English Golden Age of detective fiction: a country house and its rituals, a disruptive outsider, and a seething bubbling crucible of familial and marital tensions, class and political differences, and deep dark secrets. Tenhunen swaps […]



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