One of my all-time favorite movies is Robert Altman’s The Long Goodbye. Featuring Elliot Gould in a great star turn as Phillip Marlowe who is deposited in the 1970s as a fish-out-of-water cynical private eye, Altman does a fantastic job of contrasting the post-war male angst of the 50s with the post-60s hypershift in American culture. And oh yeah, there’s a mystery to solve. Chronologically, there’s no gap between Little Green and Cinnamon Kiss, Mosley’s previous Easy Rawlins book. The former picks up a few months after where the latter […]