
When in LA, Hannah works as a production assistant to an artsy film director, whom she’s had a crush on for years. Since her stepfather is a very influential movie producer, she could probably have gotten a much swankier job, but Hannah wanted to work her way up the ranks honestly. Two years later, just fetching coffee and doing grunt work is getting a bit stale, though. Hannah dreams of working on movie soundtracks, but also struggles to make anyone actually notice her. She thinks of herself as a supporting character in the lives of others. Nevertheless, because she misses Westport, her sister (and if she allowed herself to admit it, Fox), she summons up the courage to pitch the fishing town as an alternate location to the film her movie director boss is currently making, since LA clearly isn’t creating the correct vibe. Her absolutely lyrical descriptions of the town sell the temperamental director on the idea, and soon Hannah will be back near her sister and the man she keeps thinking about (as a friend) for an extended period.
Because this is a romance, and circumstances need to conspire to throw our potential lovers closer together, of course, Piper and Brendan, her handsome captain, can’t let Hannah stay at theirs for the duration of the film shoot. No, she’ll have to stay with Fox, in his spare room. But this is totally OK because they’re just platonic friends, Fox won’t even be there half the time because he’ll be off on fishing trips, and Hannah still nurses that crush on her director, right?
Full review on my blog.