Bless Cannonball Read, praise be for friends who you know share a similar taste in books, and let the world rejoice for Murderbot. Because November is a busy time here at Cannonball Read (I still have half the assignment emails for Book Exchange to send out) I’ll be using a slightly modified plot summary from Goodreads:
In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are (required to be) accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder (you’re shocked, I know), safety isn’t a primary concern. On a distant (uninhabited) planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid — a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is (and go back to watching the serials on the feeds). But when a neighboring mission goes dark, it’s up to the scientists and their Murderbot to get to the truth.”
I have a very hit and miss relationship with novellas, but Martha Wells seems to have nailed just the right amount of characterization and world building and forward momentum of the plot without the equation going out of balance. I identified with Murderbot from very early on – Wells has written an android that has depression and social anxiety, and is generally apathetic about the whole “life” thing.
It’s subtle in the best possible meaning of the word. The story is told from Murderbot’s perspective and we are thrown into a world where we are at the whims of said apathetic android to piece the world together. As Murderbot becomes more invested (particularly in keeping tits entertainment feed and keeping its rating from going any lower), we learn more about why the humans are where they are and why.
Murderbot’s deadpan delivery and dark humor underline how it views itself. While self-aware and in control, Murderbot still prefers to be thought of as just another piece of equipment. Due to that, it struggles to finds ways to keep itself separate from the humans while still performing its job of keeping the humans alive. I was pulled in by the sheer uncomfortableness Murderbot feels – it gets injured early in the book and I frankly aghast at its failing human parts and fluids and just wants to be left in peace to regenerate. Murderbot is still working out this whole “person” thing and humans looking at it and seeing the details of said personhood and not just the shell of a SecUnit it becomes deeply uncomfortable, awkward, and anxious. This is definitely a different way into unpacking a story about relationships and our humanity.
It’s wrong to think of a construct as half bot, half human. It makes it sound like the halves are discrete, like the bot half should want to obey orders and do its job and the human half should want to protect itself and get the hell out of here. As opposed to the reality, which was that I was one whole confused entity, with no idea what I wanted to do. What I should do. What I needed to do.”
I’ll be picking up the next three in the series for my holiday travel reading.
Bingo Square: Snubbed (Phillip K Dick Award Nominee 2017, it won other things, including the Hugo, Nebula and ALA Alex Awards)
One more for blackout… will I make it? Stay tuned.