When I finished this book, I quickly posted on Goodreads my placeholder review, as I do with all books. Usually it is just the star rating and the phrase “full review to follow”. However, that wasn’t enough to wrap up how I was feeling. Instead, I wrote “It is almost unthinkable that a series can be getting better, more nuanced, and satisfying in its seventh installment but that is where we are with Louise Penny and Inspector Gamache” because this might be the best book yet in the series.
Several days later, I feel the same way. I think kella, in her omnibus review of books 7-12 of this series, nailed it when she said, “[Penny’s] characters become more and more complex with each book, as their experiences keep building. The characters are growing and changing throughout, which is probably why I can’t put these down. I’m invested now- it’s as much about seeing these people grow and interact as it is about the murder at hand.” Penny, like other great series writers, has taken the time to flesh out all of her main cast of characters and isn’t afraid to allow them to grow, change, behave, and experience pain as anyone would given the situations surrounding them. These books are going somewhere, and it is plot based, but it is character driven. Penny is offering a meditation on the human spirit and its ability to recover.
The murder this time is of a former friend of Clara and Peter’s who is found dead in their garden. There was a large party celebrating Clara’s lauded solo show but, as is often the case the past slinks its way into the present. Throughout the investigation, each new avenue that Gamache and his team head down uncovers another person whose past is affecting their present. We head down a path exploring the art world, the people who make its community, people trying to forgive the unforgiveable, those who are fighting their addictions in AA, and the continuing power struggles within the Surete du Quebec.
The book also masterfully takes on what recovering from trauma like that which Beauvoir, Gamache, Lacoste, and the other officers of the Surete du Quebec faced in Bury Your Dead, never sugarcoating the reality of profound injury, loss, and the mental wounds. Penny has used this tragedy to set some characters more surely into themselves, and allow others to shake off decisions of the past, and to grow everyone. We don’t know yet what the long term effects will be, but as with any long-form storytelling the waiting is part of the experience.
I don’t know if I will be able to hold to my previous rule of reading these in the month/season they were set. I already bent my own rule with this one, as it is set in June, but I couldn’t find that information before I got started and based my start date on the flowers described in the blurb (yes, that is the type of nerd I am) and once I realized I was reading it early I just kept going. I believe the next book, The Beautiful Mystery, is set away from Three Pines and focuses on Gamache and Beauvoir. I am exceptionally excited to spend more time with these two characters based on where we left them emotionally, and hope the next one isn’t set too much into the fall/early winter and I can get started on it soon.