Using spy stories to tell larger tales about identity is becoming a popular trope. Most recently, I’m thinking of how Lauren Wilkinson used the genre to talk about black identity against the specter of white imperialism. Rosalie Knecht does it in a different way with a lesbian woman. There are two stories running concurrently with one another: flashbacks to Vera’s time leading up to joining the CIA and her time in Argentina trying to run counterintelligence on KGB factions attempting to facilitate a communist-led coup. […]