Maxine Hong Kingston’s The Woman Warrior (published in 1976) is known for its feminism and for giving voice to the experience of being first generation Asian American. It is an intersectional masterpiece that is part factual memoir and part “talk-story,” i.e., creative storytelling, not just about Hong Kingston’s childhood but also about her female relatives. Through these women, we see the juxtaposition of strength and powerlessness, of warriors and ghosts, of Chinese and Chinese-American. For Hong Kingston, being able to use one’s voice meant being […]