This Shakespearean “who-dun-it” is a delightful contribution to this particular genre of historical mystery. It is a glorious mash-up of DaVinci Code-like code-breaking and world-hopping combined with the inexhaustible debate over the disputed authorship of Shakespeare’s plays, and of course, the identity of Shakespeare himself. The chapters jump back and forth between the period of Shakespeare and the present-day, where people within the literary, academic and theater worlds are dying like Shakespeare’s characters, and no one has a clue who the bad guy is, including […]