(This post originally appeared on Persephone Magazine.) Recently, the mister noted that I’ve become somewhat preoccupied with early 1900s “upper-crusty British people,” as he put it. Taking a look at my Netflix viewing and some of my reading, he’s not wrong. Though set in New York, Elisa DeCarlo’s The Abortionist’s Daughter fits snugly within a genre rife with burgeoning feminism and class considerations that are much like our young nation’s parent country. In the rural village of Muller’s Corners, near the Adirondack Mountains, Melanie Daniels […]