(DOUBLE BINGO – corners and center, top left to bottom right I think the reason that this reworking of The Count of Monte Cristo works so well is because (at least per the afterword) Stephen Fry didn’t realize he was adapting the book until midway through writing it, thinking he was only writing a tale of the utter devastation of an innocent man and his revenge against those who had wronged him once he recovered from rock bottom.  I tend to believe this as I’ve […]