Kelsea knows that when she turns nineteen, it is time for her to take her rightful place as Queen, like her mother (who died when she was a baby) and grandmother before her. She has been raised far from civilisation, by two loyal servants, who did their best to prepare her in every way they could for the duty she would be facing. What they have not done is socialise her in any way, she’s barely seen another living soul since she was little, and they’ve refused to tell her anything about her mother or her mother’s reign. So while she has a lot of theoretical knowledge about her realm, the Tearling, and its surrounding neighbours, she has little to no practical experience and is in for a sharp learning curve once some of the remaining members of the queen’s guard come to pick her up to take her back to the capital.
The road back to her palace is fraught with danger, as her uncle, the regent, has sent assassins to dispatch Kelsea. He doesn’t want to surrender his power, and there is more than one attack on the princess and her guards on their way to the capital. Along the way, Kelsea is rescued from an attack by hired killers by the Tearling’s most wanted, a legendary outlaw calling himself the Fetch. This man and all his compatriots wear masks while they dispatch Kelsea’s attackers, but later, when she spends some time in their camp, she gets to see him unmasked. He clearly has sinister plans for her uncle and is very curious about what sort of ruler Kelsea is going to be. She refuses to show fear and promises to rule the country to the best of her abilities. This seems to satisfy the bandit leader.
Once she returns to her palace, Kelsea discovers how her mother made peace with the neighbouring country, ruled by a powerful and seemingly ageless sorceress after an invasion several decades ago. Suffice to say, Kelsea is appalled and by her first actions, she sets in motion events that may very well trigger a new invasion. Shortly after, there is another assassination attempt on her while they are trying to get her crowned. It becomes obvious to Kelsea that her long-dead mother was a vain, weak and fairly useless queen who quite happily sold out the freedoms and rights of her people to keep herself safe. Her brother, Kelsea’s uncle, has continued the mismanagement of the realm and most of the people are suffering badly. If she can survive, she has a hell of a job ahead of her, righting the wrongs of her predecessors. Luckily, she appears to have some sort of magical abilities too, bestowed on her by the royal sapphires that all heirs to the Tearling wear.
I’ve seen a lot of people give this book incredibly low ratings, probably because it seems that when the book was first released it was marketed as “Game of Thrones meets the Hunger Games”. Clearly this was invented by someone who threw darts on a large board full of things that sold well in the publishing industry. “What if Hermione Granger was the heir to a really down-trodden, pseudo-medieval but somehow also set in our future kingdom, where the biggest danger was the evil sorceress in the next country over” would be a better description. Note that I didn’t pick Hermione completely out of the blue. Emma Watson has apparently bought the adaptation rights and wants to star as Kelsea.
Full review here.