Graphic memoirs are in a real danger of becoming an old hat. The genre seemed so groundbreaking in the early 90’s when Art Spiegelman finished Maus, or even in 2000 with Marjane Satrapi’s Persepolis, and there are still some interesting work published under the umbrella “graphic memoir.” And it’s a good thing that the new comic book releases shelve in our local library calls to me like heroin calls to Iggy Pop, or I might have missed one of them, namely Ulli Lust’s
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