I’ve been going through some of Michael Connelly’s Harry Bosch series this past year. One thing I’ve written about it is my concern of how Connelly walks to the edge of police criticism but then draws back because he needs his Harry Bosch character to be “good,” even when Harry is bending and breaking laws to solve cases that apparently only he can solve. I like Connelly a lot, I really do. But reading Gar Anthony Haywood’s take on systemic racism and police brutality in You […]